Poetry Forum Monday May 20

My Grandma’s Love Letters
by Hart Crane

There are no stars tonight
But those of memory.
Yet how much room for memory there is
In the loose girdle of soft rain.

There is even room enough
For the letters of my mother’s mother,
Elizabeth,
That have been pressed so long
Into a corner of the roof
That they are brown and soft,
And liable to melt as snow.

Over the greatness of such space
Steps must be gentle.
It is all hung by an invisible white hair.
It trembles as birch limbs webbing the air.

And I ask myself:

“Are your fingers long enough to play
Old keys that are but echoes:
Is the silence strong enough
To carry back the music to its source
And back to you again
As though to her?”

Yet I would lead my grandmother by the hand
Through much of what she would not understand;
And so I stumble. And the rain continues on the roof
With such a sound of gently pitying laughter.

We were very tired, we were very merry—
We had gone back and forth all night on the ferry.
It was bare and bright, and smelled like a stable—
But we looked into a fire, we leaned across a table,
We lay on a hill-top underneath the moon;
And the whistles kept blowing, and the dawn came soon.

We were very tired, we were very merry—
We had gone back and forth all night on the ferry;
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.

We were very tired, we were very merry,
We had gone back and forth all night on the ferry.
We hailed, “Good morrow, mother!” to a shawl-covered head,
And bought a morning paper, which neither of us read;
And she wept, “God bless you!” for the apples and pears,
And we gave her all our money but our subway fares.

Those Winter Sundays
    
by Robert Hayden

Sundays too my father got up early
and put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.

I’d wake and hear the cold splintering, breaking.
When the rooms were warm, he’d call,
and slowly I would rise and dress,
fearing the chronic angers of that house,

Speaking indifferently to him,
who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love’s austere and lonely offices?

By James Wright

Just off the highway to Rochester, Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more,
They begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl’s wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.

Sir David Brewster’s Toy

by Richard Wilbur

In this tube you see
At the far end a strew of
Colored-glass debris–

Which, however, grows
Upon reflection to an
Intricate pied rose,

Flushed with sun, that might,
Set in some cathedral’s wall,
Paraphrase the light.

Now, at the least shake,
The many colors jumble
And abruptly make

The rose rearrange,
Adding to form and splendor
The release of change.

Rattle it afresh
And see its coruscating
Flinders quickly mesh,

Fashioning once more
A fine sixfold gaudiness
Never seen before.

Many prophets claim
That Heaven’s joys, though endless,
Are not twice the same;

This kaleidoscope
Can, in that connection, give
Exercise in hope.

by Sarah Manguso

I am not here to ruin you.
I am already in you.
I am the work you don’t do.
I am what you understand best and wordless.
I am with you in your chair and in your song.
I am what you avoid and what you stop avoiding.
I am what’s left when there is nothing left.
Love me hard, pilgrim.

Theories of Time and Space
by Natasha Trethewey

Listen to Natasha Trethewey reading this poem

You can get there from here, though
there’s no going home.

Everywhere you go will be somewhere
you’ve never been. Try this:

head south on Mississippi 49, one-
by-one mile markers ticking off

another minute of your life. Follow this
to its natural conclusion – dead end

at the coast, the pier at Gulfport where
riggings of shrimp boats are loose stitches

in a sky threatening rain. Cross over
the man-made beach, 26 miles of sand

dumped on a mangrove swamp – buried
terrain of the past. Bring only

what you must carry – tome of memory
its random blank pages. On the dock

where you board the boat for Ship Island,
someone will take your picture:

the photograph – who you were –
will be waiting when you return

Did you too see it, drifting, all night, on the black river?
Did you see it in the morning, rising into the silvery air -
An armful of white blossoms,
A perfect commotion of silk and linen as it leaned
into the bondage of its wings; a snowbank, a bank of lilies,
Biting the air with its black beak?
Did you hear it, fluting and whistling
A shrill dark music – like the rain pelting the trees – like a waterfall
Knifing down the black ledges?
And did you see it, finally, just under the clouds -
A white cross Streaming across the sky, its feet
Like black leaves, its wings Like the stretching light of the river?
And did you feel it, in your heart, how it pertained to everything?
And have you too finally figured out what beauty is for?
And have you changed your life?

Sheep
by Jane Hirshfield

It is the work of feeling
to undo expectation.

A black-faced sheep
looks back at you as you pass
and your heart is startled
as if by the shadow
of someone once loved.

Neither comforted by this
nor made lonely.

Only remembering
that the self in exile remains the self,
as a bell unstruck for years is still a bell.

Whose house is this? Nobody knows.
Birds flying in and out of every window
all year long and doors swinging wide
in the wind both ways, toward the glow

of an imagined past, and toward the bride,
that fleeing girl, the future. She hides
by changing, escapes by standing still.
The secret of possession? Go outside.

She’ll come to rest inside you. Leave your will.
Meet your dark lender, Evening, below the hill.
Her father, he’ll tell you her name.
Then you’ll ransom the hours and heart you spent
playing house on property lent,
taste her name and for what your life is meant.

The first lily of June opens its red mouth.
All over the sand road where we walk
multiflora rose climbs trees cascading
white or pink blossoms, simple, intense
the scene drifting like colored mist.

The arrowhead is spreading its creamy
clumps of flower and the blackberries
are blooming in the thickets. Season of
joy for the bee. The green will never
again be so green, so purely and lushly

new, grass lifting its wheaty seedheads
into the wind. Rich fresh wine
of June, we stagger into you smeared
with pollen, overcome as the turtle
laying her eggs in roadside sand.

To be blessed
said the old woman
is to live and work
so hard
God’s love
washes right through you
like milk through a cow

To be blessed
said the dark red tulip
is to knock their eyes out
with the slug of lust
implied by
your up-ended skirt

To be blessed
said the dog
is to have a pinch
of God
inside you
and all the other
dogs can smell it.

Today
By Billy Collins

If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze

that it made you want to throw
open all the windows in the house

and unlatch the door to the canary’s cage,
indeed, rip the little door from its jamb,

a day when the cool brick paths
and the garden bursting with peonies

seemed so etched in sunlight
that you felt like taking

a hammer to the glass paperweight
on the living room end table,

releasing the inhabitants
from their snow-covered cottage

so they could walk out,
holding hands and squinting

into this larger dome of blue and white,
well, today is just that kind of day.

Calm down, calm down.
But why calm down?
When I’m dead and only
A poem in the Book
Read by someone
Not yet born,
Then I’ll be calm.
Then I’ll tell them
In a quiet voice
What a miracle it is
To be alive.

I won’t shout and jump around.
I’ll whisper it in her ear.

And if I’m lucky
She’ll shout and jump
Around; her heart
Will beat a little faster.

Wheel me down to the shore
where the lighthouse was abandoned
and the moon tolls in the rafters.

Let me hear the wind paging through the trees
and see the stars flaring out, one by one,
like the forgotten faces of the dead.

I was never able to pray,
but let me inscribe my name
in the book of waves

and then stare into the dome
of a sky that never ends
and see my voice sail into the night.

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east: we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.